Bottom Lines and Wet Noodles
assorted musings, riffs, rants and editorials from a (Cree) wide-eyed warrior
Tuesday, May 9, 2023
Wednesday, May 19, 2021
What's It All Worth? (article)
I was
asked in early 2020 to contribute (in x-amount of words) to my friend's college assignment, part of which called for students to
compile 3 accounts of what "Culture" meant to those who had
experienced foster care in Canada. I gladly contributed as
the student is a dear friend. The question or assignment, as posed to me, was:
write about the impact the 60’s Scoop had on you regarding your culture. Here
is my response.
I am 50 years old as I write this and am one who “aged-out” while in care. Meaning I turned 18, the legal age of consent in Alberta and up to then I had remained in government care in that province. My last social worker gave me a toaster, wished me luck then closed my file. I could no longer turn to the province (social workers) for assistance, programs or supports, and without any connection to family or community of origin, I was on my own. I mean, I had never reached out to a social worker anyway, I was told, "they're coming on this day, come home and change your clothes." I see now how performative it all was. To that point I had spent my entire life in foster care, yet I was never told who they were, what they were for, what their role in my life was. I simply understood it was for me to please them in some way, get their approval. I was never told or given insight into what my true circumstances were or those of my natural family. I was so naive I didn't even know til way late in life that foster parents were paid each month to "care" for me. I thought it was simply a kindness, so, I felt obligated the whole time. There was no contact with my birth parents, no "programs" anyway, not like today, at all - no integration whatsoever within the native community in Calgary while growing up in all non-native foster situations. Later, while on my own healing journey I discovered first-hand growing up this way can lead to basic and complicated emotional issues around love, trust, abandonment, authority, self worth, identity, loss and grief and so much more.
It still seems to me people wield the term “culture” either as a weapon or something akin to a prized possession, a really nice shirt –“who in this room knows their culture?” or "who's the biggest Indian! - or, mine's bigger n yours!?" In its most common usage, context or understanding and in reference to 1st Nations people, it tends to mean language fluency, hunting/fishing, drumming or regalia focused activity (powwow/dancing) or time-immemorial-speak, featuring furry animals designed to encode how one should conduct themselves. I’d wager that little else enters the mind when one thinks of culture and a Native person. If you don't overtly display these items you are written off or disregarded as being "without culture" by both Native and Non (I'm generalizing, but it's the rule not the exception). While not growing up with the features listed can be tragic, sad, something to mourn, the fact is, I can still experience those things if I make the effort and get proper guidance in doing so, so I have not “lost’ them as I see it…But if, as I contend, we occupy one or more cultures simultaneously, where no one actually exists within a literal mono-culture then it is the everyday, mundane, banal experiences most people take for granted that I have missed most profoundly and can never get back. Loss of this part of my culture has been devastating. I will never know the sound of my mom’s voice, that voice which nurtures, soothes, comforts and guides people their whole lives. I don’t know either of my parent’s favorite songs or movies. I don’t know how they met. I don’t know which handed they were (their strong hand). I don’t know their favorite food. I don’t know what time of day I was born, who picked my name or why. I never held my dad’s hand, talked to him about the birds or the bees or how Crees came into the world. I never sat at a dinner table with either of my parents or any of my brothers and sisters, small talking, teasing, pretending to argue. I don’t know what either of their childhood’s looked like. I don’t know a world with Grandparents in it, I never met any of them. I don’t know what it’s like to see biological family spend time with my kids, just spending time. I remember observing my daughters through a bedroom window during an unguarded moment between them in Ottawa while they chatted and absent-mindedly volleyed a badminton bird back and forth. They were 14 and 11 years old. I can’t recall their words, just sound of their voices and, for me, the simple yet intense beauty of their kinship, their wit, their mutual affection and their perfect innocence. It was like an ache, but a good ache and it is locked safely in my memory. These and a thousand other basic, everyday experiences between any of my family or with any of my family – never to occur in this life. Never. The simple yet soul-nurturing events that happen a thousand times a day and are among necessities for life right alongside air, food and shelter are among what has been lost and what I’ve been most damaged by. Never mind the demoralizing facts of history, colonization, confederation, assimilation, death, disease, displacement, relocation, residential school, foster care, murdered and missing women and the accelerated rate of mortality of my people…and so much more. I could list so...much...more. Home?!?! Now that is an abstract concept and always changing for someone of my disposition, if there are such people . In my personal and professional experience I have consistently observed posers, frauds and people so desperate for validation they adopt "culture tunnel-vision" that is, canceling in their minds anything counter to the noble, stoic portrayal of the drumming, misplaced warrior learning from their elder that very morning that, you know, sketchy behavior, for instance, is - hello? - not cool, man! These professional, knowledge-keeper types do really well for themselves I've observed. The rest of us discounted for not embodying the soft inside, gentle, quiet, braided-being they prefer. I am more than happy to burst their lame bubbles and work frontline with individuals and families helping navigate urban wilderness. I work very very very hard to stay vigilant so I that I don't project all my "stuff' onto my girls. I find myself unable to even write this small note in one sitting as it is all enough to make me want to scream, still.
Near-constant mental processing and compartmentalization, endless self-talk, consistent reassurance to oneself that you count, that you are important, that you are loved, that things you do or say matter when any discussion turns to family, family history, culture, cultural awareness, teachings, elders and all the political and legal wrangling, which seem incessant subtext to these topics, is essential. I have teachings such as they are about an afterlife and have learned lots about ways of mourning, grieving and the rituals around them, why they matter and how they function as they do – these are clear, they are obvious. Will I ever see any of my family – like, in an “after-life” or "next life" of some sort? I do not take that kind of stuff for granted. I can't. In fact there are very few things I can take for granted. I believe I am skeptical (not cynical) by nature and suspicious by experience. I observe what people say and what they do and believe myself to have strong skills for thinking critically. If the question were put: what is your culture or what is culture to you? My response would be that culture is how I live everyday, the varied realities that I am engrossed in most often – the chosen communities where I live and work. My culture consists of all the relationships I engage in and the values that emanate but it is also involves the predominant thoughts and impulses I have around these ideas. Despair is never far away, still, after all this time, observant people see clearly my "fronts." But I work to understand myself in spiritual, essential terms not religious ones and it's crucial for me to have historical and political awareness and facts. I have worked exclusively with or for Native people and organizations serving Native people since '96. Wherever I am I go where Natives go, it just feels emotionally safer. I do modest ceremony, I get counseling (still), I stay connected to those I feel are authentic types...and yet I still often feel unworthy of bothering many bright elders I look up to - I am like a lot of other "scooped" people in this regard but I haven't stopped working on it. When does it change? Today, maybe? My inexhaustible hope is that my girls are careful observers and that they have the courage to think for themselves, that they take that very risk, so that much more truth, beauty and wisdom might come to them. This is the reality, the culture, and the salvation in which I strive daily to be immersed.
---
I despise the term "60's Scoop" or being referred to as a "Scooper" but I get it, people need a reference point. I do, however, want to indicate that authentic 1st Nations culture is REAL (language fluency, ceremonies, strong communities, families and individuals, all aspects, really) - it does exist and is alive, thriving, robust and in places amid all the areas I've designated above. This whole blog has been about the authentic culture that is every place one cares to really look and I am lucky to experience some of it.
©2021 Champsteen Publishing
Saturday, November 16, 2019
Poem published in The Salt Chuck City Review
Wednesday, June 6, 2018
Monday, February 26, 2018
Springsteen on Broadway
onstage at Walter Kerr Theater, November 17, 2017 |
The Set Up
Monday, September 4, 2017
Twilight Life (song)
there’s no need for explaining in this twilight life…
(chorus 1)
©2017 Champsteen Publishing
Tuesday, July 26, 2016
Saturday, June 18, 2016
The Game (song)
this recording made when I was 19 or 20...one of the first two songs I ever wrote...which means I've been writing and singing bad songs for nigh on 26 years!
Yesterday, in court details released from a plagiarism trial involving Robert Plant and Jimmy Page, it was revealed that the song Stairway To Heaven has so far earned $526 million dollars - that's from ONE SONG!!!...so you see, as I've been saying for as long as I can remember, all I need is one hit.
...this probably ain't it.
I wrote the song - I'm singing and playing acoustic, Ben's bass and background vocals, John's on electric guitar and Jason's on drums.
Wednesday, November 18, 2015
Humming Bird Dreams Press launches BROKEN MAN
New publishing concern Humming Bird Dreams Press launched Raul Gatica's poetry collection Broken Man (Hombre Roto) at Vancouver Public Liberry, Saturday November 14, 2015. A co-presentation Hummingbird and Spanish-language online magazine, Cencerro, the author and friends gathered to celebrate the new collection. Several speakers were on hand to sing the bi-lingual book's praises and to celebrate. Gatica, a Oaxacan political refugee and now exile, living in Vancouver since 2005, has remained a high profile activist for social justice and various causes. His activism in his native country led to 13 arrests, torture and the need to flee his homeland in fear for his life. Throughout the formal refugee process, Raul has continued to write, organize and speak out against oppression and tyranny.
The poems chronicle every aspect of a doomed relationship. A jagged sense of romance and the fallout of a love betrayed are the primary features of this literary litany of the Hombre Roto (the Broken Man). Raul read selected pieces from the book and after each I read the same poem in English. A lively Q and A followed the reading. If you like your love poems bloodied and your poets bruised and battered, Broken Man will speak to you.
Monday, March 23, 2015
Maybe it's about being there...(article)
"Long and Wasted Years"
Since we loved each other and our hearts were true
One time, for one brief day, I was the man for you
Last night I heard you talking in your sleep
Saying things you shouldn't say
Oh baby, you just might have to go to jail someday
Is there a place we can go?
Is there anybody we can see?
Maybe, it's the same for you as it is for me
I ain't seen my family in twenty years
That ain't easy to understand
They may be dead by now
I lost track of them after they lost their land
Shake it up baby twist and shout
You know what it's all about
What are you doing out there in the sun anyway?
Don't you know the sun can burn your brains right out?
My enemy crashed into the dust
Stopped dead in his tracks and he lost his lust
He was run down hard and he broke apart
He died in shame he had an iron heart
I wear dark glasses to cover my eyes
There are secrets in them I can't disguise
Come back baby if I ever hurt your feelings I apologize
Two trains running side by side
Forty miles wide, down the eastern line
You don't have to go
I just came to you because your a friend of mine
I think that when my back was turned
The whole world behind me burned
It's been awhile since we walked down that long, long aisle
We cried on that cold and frosty morn
We cried because our souls were torn
So much for tears, so much for these long and wasted years
On this blog I’ve conceded to the notions of taste and preference and I will do so again – for some, Dylan’s voice is like fingernails on a chalkboard, but I love the sound of his weathered and distinctive wail. However, as with Shakespeare, I believe posterity will have the final word. Not only did people in his time appreciate the Bard’s (Shakespeare's) work, but as time went on more and more did also. This I believe will be the case with Bob Dylan. There will always be an audience of admirer’s of exhibitions Picasso’s paintings and drawings. In any given city there will always several productions of Shakespeare’s dramatic work under way. And I believe there will always be an audience of listeners and musicians to appreciate Dylan’s songs and recording artists continuing to include their versions of his songs on their records. Sure, a person can have a hit. Some have several. Some have greatest hits packages one and two. But no recording artist of our time is as universally covered as Bob Dylan. This means that among his fellow craftsmen and women he is more revered than anybody. Imitation is the purest form of flattery it’s been said. The people who write and record songs themselves consistently dip into the well created by Dylan. I won’t delve into the cultural significance of the artist here because I believe that to be of less import than his truest legacy - an immense body of songs of depth and power.