Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, November 18, 2015

Humming Bird Dreams Press launches BROKEN MAN



New publishing concern Humming Bird Dreams Press launched Raul Gatica's poetry collection Broken Man (Hombre Roto) at Vancouver Public Liberry, Saturday November 14, 2015. A co-presentation Hummingbird and Spanish-language online magazine, Cencerro, the author and friends gathered to celebrate the new collection. Several speakers were on hand to sing the bi-lingual book's praises and to celebrate. Gatica, a Oaxacan political refugee and now exile, living in Vancouver since 2005, has remained a high profile activist for social justice and various causes. His activism in his native country led to 13 arrests, torture and the need to flee his homeland in fear for his life. Throughout the formal refugee process, Raul has continued to write, organize and speak out against oppression and tyranny.

The poems chronicle every aspect of a doomed relationship. A jagged sense of romance and the fallout of a love betrayed are the primary features of this literary litany of the Hombre Roto (the Broken Man). Raul read selected pieces from the book and after each I read the same poem in English. A lively Q and A followed the reading. If you like your love poems bloodied and your poets bruised and battered, Broken Man will speak to you.






   

©2015 Champsteen Publishing

Tuesday, November 6, 2012

That's (Real) Showbiz...

Recently, I produced a list of 10 fillems that I insist my daughter Storm see at some point in the next year or so. Note that I refer to these as fillems, not movies. Movies are something different and not important (something full of explosions, CGIs or lame jokes and usually very predictable and not much fun) . I look at it a something of a rite of passage and a way of educating her to some works of celluloid art that have left an indelible mark on me. Late this past summer we viewed The Shining together (was that wrong? – REDRUM!?), which she claimed to enjoy. Last week came a rare and thrilling opportunity to not only watch Smoke Signals together, but also to be among the audience for an interview following the screening with Evan Adams by Duncan McCue. Coast Salish actor Adams, of course played the now-iconic role of Thomas Builds-The Fire (Hey, Victor!) and McCue (Anishnabe) is a nationally re-known CBC television news journalist. The film is based upon characters and stories found in the short story collection, Tonto and the Lone Ranger Fist-Fight In Heaven by Coeur d'Alene writer, Sherman Alexie (another gem and among my favorite literary achievements). For someone like me it was a beautiful opportunity to have Storm experience the power and beauty of a fillem that speaks to the soul and never fails to get me…right here! But it was also a chance for Storm to see demonstrated (more importantly) the generosity of spirit and an authentic exchange of ideas that are the true means to empowerment and community-building.

L to R, Evan Adams, Duncan McCue, Storm Standing-On-The-Road and Loretta Todd
SFU Downtown Campus served as venue and was moderated by (Metis/Cree) film-maker Loretta Todd. My daughter is old pals (through her mother) with McCue and Todd and it was so much fun to listen to the discussion ostensibly on humor and healing but which managed to be full of hilarious insights and poignant reflection by both actor and interviewer. It was also a chance to experience the finest talent in Indian country in a relaxed and intimate setting. Throughout this blog, one of the themes I’ve consistently tried to explore is creativity. Now, obviously the participants mentioned all bear a high profile but what was most evident this night was the natural grace and humility of all involved. This aspect also has found its way frequently into the articles I’ve posted and I believe is a feature, quality or trait found in many, many of the successful persons of profile in the 1st Nations community. It has been my experience over and over again, through the years that typically, a well-known person or someone we may identify as successful is generally down to earth and very approachable. I love this about our people.

Beyond this, Smoke Signals itself is a fillem that is exceptionally moving and utterly guileless in its charm. This means that it’s nearly perfect in its modest (though exquisite) execution and could not have been improved upon with more millions in its production budget or alternate casting choices. It’s a fillem that is tough, tender and whimsical and as I mentioned before, profound. Like all pieces of true art, it remains, timeless.


© 2012 Champsteen Publishing        

Sunday, June 10, 2012

(Magpie) Language of the Heart

I constructed this poem sometime in 1998 or 99 and at that time had been aware of my brother’s contracting the HIV virus for (just under) 10 years – he’d been living with it years longer. I tried to workshop it in a UBC creative writing class right after I wrote it because I liked it but I could never get through it.

My brother Kelly was called Magpie because he was brash, loud, occasionally a pest…and beautiful. He and I spent time together in the same foster home as very small children and I remember us constantly running away and every time (for some reason) taking off our shoes and socks (which always made them SO mad, lol). We were split up for this and I was not to see him again until we were grown men by which time he had become ill.

It would be a lie to say we got along well all the time though we did have our moments. On rare occasions we sat up all night drinking at the rez and regaled each other with our exploits and daring adventures. The other end of our experiential equation is that for subtle and deep reasons we could almost never seem so get along. I was needful but not in the same way as when we were children and he clearly had basic needs of a kind we intuitively understood could not be met. On some level, I believe we were resentful towards each other for apparently leaving the other way back when (which of course is ridiculous), while at the same time angry at ourselves for feeling powerless to help someone (your own brother) so clearly in need of help. This kind of anger, frustration and unresolved feelings of futility are so prevalent in our community that it can make people lash out at whoever is near. My brother and I fought at a house party on the rez (which I had invited him to as a means of reconciliation). I came away from that encounter with a broken ankle and today I wear the incident as a badge of honor in some circles, and in others, it provides clear evidence of the the fact that often it is hurt people who hurt people.

It so happened in the palliative care ward of an Edmonton hospital one night (as outside a late spring blizzard was subsiding) that I was alone with Kelly for the last time in this life. Due to weather, timing and grace it was just my brother and I. These were the days of SARS-related health concerns and so hospital staff insisted visitors don all manner of protective-wear (latex gloves, gown, mask and cap) which of course I removed once we were alone soon after midnight. He was far past any ability to speak or communicate but I was aware he could understand me because tears would stream from the waxy hollows where his eyes had once been as I began to speak as I felt compelled to do once we were alone. I thanked my brother for looking after us as little boys in the best way he could and told him how good he looked (Magpies crave attention, you see) and how lucky he was to soon be with everyone who had come before us. His hands were cold as I held them and told him I had written a poem about him and though I could only remember the last part I would recite what I had memorized (the stanza beginning: in my dreams – we are boys again…)

It was, as mentioned, his last night on earth but it is the best of him which with stays with me, informs me, guides me, comforts and protects me. He is still my big brother. It is special on a personal scale but it feels like a blessed and pre-destined thing to have been with Kelly and to have been able to look after him, if only once and to know for certain there was love in his final moments. Art can be transcendent at times and is, I believe, spiritual practice.

Ekosi





Magpie

Carrying tobacco
and colored prints of fabric
I stand barefoot in wet grass -
traffic drowns out the sound of my voice
but I am speaking
and I am looking to the sky

Saying that you have gone south
and you still have the gun with you,
they promise me they will catch up to you
(who is to punish them for their crimes?)
I would believe them were it not for the knowledge
that none has ever been able to catch up with you
so hard and fast do you run -
and I am wary of promises

It has never been the way between us to agree
but tonight,
I want you to keep on running

With clenched teeth
and fists
I demand answers
(where there are none)

I demand answers!

In every direction that I look for you
I see faces committed to forgetting,
dedicated to relegating us to mere “social
constructs
,” rejecting antithetical images
of what they think Indians are

we are:
boys stolen at 2 and 6 years old
boys raised by strangers without black hair, and then
boys who return home as strange men
boys sharing a mother poisoned by prescriptions
boys whose cousins hang in trees
boys finding uncles with shotgun holes in them
boys who have not forgiven their fathers – only forgotten them
boys who are bleeding


In my dreams
we are boys again
and running barefoot through city streets
our shoes discarded
It must be that you remember
a place worth running to -
I am scared
but you are older
and I will follow you anywhere

Magpie,
you are that dark bird
wounded,
singing in the dead of night
waiting your whole life for a moment to arrive

Tonight
I can feel a cold wind at my back
on this wind
will you fly over gray fields?
your feathers long, blue and black
along the river’s silent edge will you soar?

If only one good memory
is left in our hearts
I will meet you there


©2012 Champsteen Publishing